Friday, May 21, 2010
Maddy Rations
I think that you should make me a shopping list of what you would like to eat.
And it needs a graphic symbol. A picture of a bagel in a circle with a red line through it. And don't forget to draw little blue dots.
Saturday, May 01, 2010
Post Game
I tried out game night at a Capital Hill store last night. The sign-up list showed 5 women were planning to attend, But only one other showed up, and she left before playing started. So it was me and 9 geeky guys. Not the worst thing in the world. Posting for posterity, because who knows when this will happen again: I won two games that I had never played before. They were called Tuvalu and Astro(something).
In raw food news, I have 25 pounds of tomatoes. I went shopping with mangoes in mind, but the ways of the Jedi Market are unpredictable. You never know what will be abundant and in good shape. Eating some now with cucumber and green onion.
Monday, March 29, 2010
Charoset
Will I have to do this again?
Yes, every year. Also tomorrow.
I have to do this tomorrow?
Don't worry, it will get easier after you learn to use the food processor.
I could have used the food processor??? Why didn't you tell me that?
You need to have the complete charoset-making experience, grasshopper.
Haven't you seen that show?
Is that from a show? What show is it from?
The Green Grasshopper Hour.
Wednesday, March 17, 2010
Portal to Heck!
I finished reading "Memoirs of Hecate County," by Edmund Wilson. Add a middle initial of "O" and you would have the name of a 20th century evolutionary biologist, but that would be an entirely different writer. I arrived at this book circuitously. The "Pet Shop Boys" have a song that includes the phrase "Finland Station" which google and wikipedia tell me is the name of a book about the precursors of the cold war. Without being clear on whether "Finland" was fiction or non fiction, I looked for it in a bookstore, and settled for "Hecate County", a collection of interconnected short stories, by the same author.
The writing style was very American. It reminded me of Edgar Allan Poe and F. Scott Fitzgerald. There is a first person narrator who alternates casual straightforward discussion of everyday life with concern that perilous supernatural forces may be at work, because what other reason could there be for the loneliness and ennui affecting everyone in his life. "Ellen Terhune" was the most Poe-like of the bunch. Our narrator stops by to see the title character and finds her sometimes his contemporary, sometimes herself at a younger age, and then, personifying one of her ancestors. The other stories don't rely on the fantastic, even the last one "Mr. and Mrs. Blackburn at Home" where he meets someone who may well be the devil, leaves plenty of room to think that he imagined it after a few too many drinks.
I found a note online erroneously claiming that "Hecate County" contained whole passages in Russian. This seems to refer to the "Blackburn" story which has one word with the Russian suffix "ka" and then a footnote to discuss why. What it does have is extensive use of of French. This starts slowly, a word or a phrase dropped into the English sentences. I muddled through this, not really seeing that it added anything to the story. In between, he comments in English on what was said, or on whether the style of French was sophisticated or provincial or old fashioned. As the sentences stretched out into paragraphs and then multiple pages, I started flipping them over to see where it ended. An afterword written by the author John Updike confessed that he hadn't read all of the French either.
"The Milhollands" story discussed the publishing industry. It showed how publishers began to use book clubs and newsletters to promote their products, and bemoaned the fact that what gets printed, and even what sells, may have minimal content. Ironically, the plot kind of fell apart in this one. I was expecting a snappy ending that never materialized.
"The Princess With the Golden Hair" seems to have attracted the most attention of the critics. Our hero is infatuated with a delicate damsel who lives in a castle-like home in the country. She flirts and he fantasizes that she can't possibly love her husband. He reluctantly admits to himself that as a writer and an art critic, he can't afford the kind of estate where some of his fellow Hecaters entertain, and that this diminishes his marriage potential. While spending the winter in New York city, our hero meets a dance-hall hostess who becomes the unacknowledged princess in his life. Her accessibility at first doesn't seem romantic, and her family life is frightening, but he finds himself growing very attached. Their class differences scare him. He runs back to the original damsel in the story, to find that while lovely, she is hopelessly neurotic, and firmly in love with her husband.
The New York Times published a scathing review in 1946. http://www.nytimes.com/1946/03/07/b
Tuesday, January 19, 2010
In the Na'vi
Where can you ride dragons?
Drink out of crude flagons
Flick your ears and swish your tail?
Bare but for scant feathers figleafing your nethers
Scamper over hill and dale
Where can you talk to trees?
And learn to dodge banshees
Brush up on your archery?
Ride a pa'li horse
And find your inner source
When you're one of the Na'vi
In the Na'vi
Yes, you can live among the stars
First the lab phase
Scientists grow you in a jar
In the Na'vi
You're there, your body is afar
In the Na'vi In the Na'vi
YOU CAN BE AN AVATAR!
In the Na'vi
Use your dendrite ponytail
In the Na'vi
To communicate with quail
In the Na'vi
YOU CAN BE AN AVATAR!
In the Na'vi In the Na'vi In the Na'vi (In the Na'vi)
They are blue, they are blue
They are blue and you can be too!
Trade in your transformers
Flying tanks and robots
And smart alec milit'ry crew
For some body paint
Tree climbing 'til you're faint
And maybe some cliff diving too
Hear as evening falls
The distant caterwauls
Of Nantang wolves but have no fear
Gathered 'round the fire
A Na'vi spirit choir
Emanates notes of a seer
In the Na'vi
Yes, you can live among the stars
First the lab phase
Scientists grow you in a jar
In the Na'vi
you're there, your body is afar
In the Na'vi In the Na'vi
You can be an avatar!
In the Na'vi
Use your dendrite ponytail
In the Na'vi
To communicate with quail
In the Na'vi
You can be an avatar!
In the Na'vi In the Na'vi In the Na'vi (In the Na'vi)
Tuesday, November 10, 2009
Friday, July 31, 2009
Vampires at the Lake
I wore a cape. The sun was still up, and I wanted to wear a hat, but Maddy was certain that Vampires have uncovered, long flowing hair. Image google "vampire" - none were wearing hats. image google "vampire hat" they were in top hats or fedoras. Fully equipped, I sallied forth.
Aurora Avenue, there was something metal that could have been a shell casing in the gutter. A rehab computer store looked interesting, but the curtain was about to go up. Live performance at Green Lake with teenage actors playing whiny high schoolers, the undead, and reveling in playing pompous teachers and parents.
Vampire Story begins with two young women planning what they will say about their histories when they arrive in a new town. One will go to school, the other one, as her older sister will get a job as a cocktail waitress. The student tells her Drama class that she has been alive for 200 years, beginning life in a French orphanage. She later writes more about it in the form of a play, adding period costumes, a mother who ran a brothel, and hinting at how becoming vampires was the only way that they could have survived. Her classmates vacillate between believing her stories and wondering if she is crazy. Some begin to fear her, as other characters are found to be missing, or die unexpectedly. There was never a concrete resolution which which side the playwright wanted the audience to come down on. The story seemed to change with the retelling, was it an orphanage or boarding school, in France or in England? But that difference could have been due to tailoring the story to her audience. And what of the opening scene where names and ages are recited and memorized? That could have been the formation of a cover story, or it could have been the more responsible character preparing the confused younger one to appear sane, even if she had to fake it.
Hilarious ask the cast session afterwards with a little kid asking one of the actors if he felt uncomfortable with some of the physical closeness in one of the scenes. It mirrored a spot in the play, where the kids were asking the new students about their lives, and the teacher was ruling most of the questions inappropriate.
I stepped outside at intermission to see a huge crowd of bicyclists. They were Critical Mass, escorted by two police officers on bikes, and tailed by police cars, even though this was a trail and not a road. The director spoke to a few cyclers because if they stayed there when the play resumed, they would be heard inside the theater. Someone announced a street corner a block away where they would reconvene, and they mounted up.
